Reading this poem now, more than thirteen years after it was written, it seems to reveal as much about the process of writing as it does about the little city that has been my home since 1987. I include it here for both reasons. I also include it because I’m a sentimental old fool who loves his poetic children for all they have taught him, and who is exceedingly grateful […]
Written very early in the dark on a Wednesday morning, the following lines seem more suitable for a Sunday — with the quiet half-understanding, of course, that there is really, and has only ever been, one day, and that that day has no need of a name. What happens is this: I hitch a ride, and for a while it carries me down the road. I smile when the driver […]
This is another of my favorites from Primitive, although it would be hard to explain why.
Is it, perhaps, because the shoulder of one is the mouth of the other? Possibly.
But then there are the eyes, which, for half a day yesterday,
Followed me around the room. “My card, sir.”
Almost Einstein
2010
#2 Pencil on Index Card
Almost Einstein
[ 120 ]
Imagine a hard-working composer paging through his music,
relieved and thinking he is done, coming upon this in his score.
“Dear Lord. What am I writing for?”
“The high notes and low notes, of course.”
“And which, pray tell, are you?”
“We? We are the many. We are the few. We are you.”
Music Lesson
2010
#2 Pencil on 4 x 6 Index Card
Music Lesson
[ 119 ]
According to my notes, this poem was written long ago after I awoke one morning from a troubling dream I couldn’t quite remember, and with a terrible sinus headache. If the dream was the first act, the poem is the second, and reading it is the third. Or maybe writing the poem was the second act, and the poem is the third, making reading the fourth — unless the poem […]
This poem is not about the rain, but it’s probably because of it. In my mind, rain shouldn’t be wasted. But I promise not to talk about it. — the rain, I mean. we all know what rain is, what it does, the havoc it wreaks. — the benediction it brings. the feeling of sanctity, in all things animate and inanimate, though the latter category doesn’t really exist. A rock […]
This poem, too, was written about twenty years ago. If I still have the original typescript, it’s in a crate in one of our closets. Sometime after it appeared on my first website, I’m Telling You All I Know, it was noticed by a writer in France, who took it upon herself to translate the poem into French. “Friends” also appeared in a little magazine called The Synergyst. Friends […]
All these many years later, I no longer ask myself if I’m worthy, or if my poems are good. I ask, Is my life a labor of love? Then I shake my head and laugh. And then I sleep, and then I work. So goes this essay in the dark. So goes my funny little life. So it goes, even without words. What Will I Give You? Trouble, mostly. […]
Clouds, but no rain. It’s not that they’re stingy. Or early. Or late. Gray is their way of saying they have more thinking to do. And the time that it takes is the look on your face when we’re waiting, love. Such is fall. And somehow, we remember it all. And we will. And we are. And we do. [ 114 ]
Certainly one of the greatest gifts we receive, and can bestow, is brevity. Home The crack, in your face, where a flower grows. Recently Banned Literature, October 26, 2014 [ 113 ]
William Michaelian 
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